12-band graph Up to 12 compressor bands keep crossover lanes, threshold, ratio, makeup, bandCount, and crossover parameters in the main graph.

Filter corners Per-band filter type, resonance, and lower or upper corner shift refine the selected band's reaction edge.

Auto/Apply Auto captures source material to suggest thresholds, ratios, and band decisions, then Apply commits the editable starting layout.

Threshold/Ratio/Gain Threshold, ratio, and gain controls sit directly on the graph so the focused band can be adjusted without leaving the main view.

Crossover slopes Slope controls define how adjacent bands meet, so the graph shows the crossover decision before threshold or detector tuning begins.

Band split Split and remove operations keep the active band layout editable without leaving the frequency graph.

Focused lane The selected band lane carries the threshold, detector, ratio, and gain context for the current edit.

Detector range The detector guide can stay inside the band, widen, or move away from the audio range that receives gain change.

Makeup line Makeup is shown as a graph-attached level decision after the compression law has been placed.

Band edge handles Band edges remain visible while the focused band is tuned, keeping topology and dynamics connected.

Comp model per band Each active band stores its own VCA, FET, OPTO, Vari-Mu, Tape, Custom, or Soft Clip character instead of one global model.

Stereo/M/S per band A focused band can work in stereo, mid, or side while keeping channel decisions attached to that band and path.

Key: Self/Internal/External Bands can listen to their own range, another key, or the host sidechain as part of the focused per-band detector contract.

Classic comp Classic mode exposes VCA, FET, OPTO, Vari-Mu, Tape, Custom, and Soft Clip choices for the focused band.

Filter character The band filter character changes how the band edge behaves before resonance and corner shifts refine it.

Timing shapes Attack and release shapes describe how gain movement bends between detection and recovery.

Two-stage release Two release regions can separate the early recovery feel from the longer return to rest.

Auto release Auto-release timing adjusts recovery behavior from program motion while keeping the focused band visible.

Custom curve The custom transfer editor is used when the focused band needs a nonstandard gain law.

Path inspector The lower inspector keeps the focused path, detector, model, and timing decisions in one local editing area.

5-band SC EQ A dedicated detector EQ shapes what the compressor listens to with fixed HP, three bell bands, LP, and one global on/off state.

Hi-Res visualizer FFT and Hi-Res analyzer views sit beside crossover and band overlays so spectral behavior stays visible while decisions are made.

Delta and meter history Delta from the title shortcut and meter history in inspection views help confirm movement before returning to full output.

Input meter Input metering checks gain staging before detector and transfer choices are judged.

Output meter Output metering checks level matching after makeup, mix, and recombination.

GR history Gain-reduction history shows recent movement so timing problems are visible across phrases.

Delta listen Delta isolates the input-minus-output change before the setting is judged in normal output.

FFT bins FFT view reveals narrow spectral events while the product graph remains the editing surface.

Hi-Res mode Hi-Res visualizer mode uses a denser musical contour view for slower spectral inspection.

Detector listen Detector listen auditions what the sidechain path hears before that signal moves compression.

Separate identities The 19 fixed BeeComps products keep distinct plugin identities, stamped state, and shared family controls.

Fixed ratio/range law Each fixed model or topology exposes only supported ratio, envelope, transfer, and range behavior.

Shared control grammar Input, mix, output, threshold, timing, makeup, ratio or range, and main/side path controls stay familiar across the family.

Threshold/Ratio/Range Custom exposes curve controls, Clip hides ratio and envelope, and Gate or Xpand expose range dynamics.

Threshold chip Threshold is drawn as the host parameter value rather than as a metering guess.

Ratio or range Ratio products show compression amount; gate and expander products show range behavior instead.

Makeup chip Makeup or mix is shown as the post-action gain decision for products that expose it.

Gain connector The gain connector ties makeup to threshold so the graph reads as one parameter surface.

Transfer truth The graph changes by product identity: compressor, clipper, gate, and expander surfaces do not pretend to be the same law.

Range floor Range products expose the maximum attenuation floor instead of ratio behavior.

Main/Side paths Single-band products still carry main and side path threshold, timing, makeup, range, and hysteresis controls.

Stereo/M/S focus Stereo mode and detector channel focus keep stereo, mid, and side workflows available without multiband crossovers.

Detector source Detector Source is part of the shared single-band parameter set and control language.

Detector mode/listen Supported products share detector mode, tap, RMS window, stereo link, external blend, sidechain noise, and listen controls.

Main path Main path parameters define the focused full-band behavior in Stereo or the Mid path in M/S operation.

Side path Side path parameters keep M/S side processing independent where the product exposes it.

Timing drawer The timing drawer exposes attack, hold, release, shapes, and scale where envelope behavior is supported.

Engine drawer Engine controls expose product-safe nonlinear, detector, oversampling, or lookahead options only where supported.

Detector drawer Detector settings decide what level is measured before the fixed product law reacts.

M/S focus Stereo, Mid, and Side focus let a single-band product address spatial problems without becoming multiband.

5-band SC EQ Supported characters shape the detector path with one global SC EQ on/off state, fixed HP, three bell bands, and LP.

Product state and Delta Each product keeps stamped state and preset identity while Delta remains available from the product title shortcut.

Input/output meters Input and output meters separate gain staging from the audible result after mix and output trim.

GR history Gain-reduction history shows recent envelope motion for ratio and range products.

Delta switch Delta mode isolates the change made by the product before normal monitoring is restored.

SC EQ HP The detector high-pass prevents low frequencies from over-driving the sidechain path.

SC EQ bells Three detector bell filters shape the trigger signal without directly equalizing the output.

SC EQ LP The detector low-pass prevents high-frequency material from dominating sidechain decisions.

ADAA state Supported nonlinear products expose ADAA state so clipping or saturation paths can be checked.

Preset namespace Each fixed product keeps its own host state and preset namespace instead of a shared model menu.

12 dynamic nodes Use up to 12 dynamic EQ node slots with per-node parameters for dense resonance, tone, and level-control work.

Full-band EQ path Nodes act in a full-band EQ cascade rather than crossover-split audio, so dynamic moves stay on the EQ curve.

Shape-aware dynamic range Dynamic movement follows the filter shapes that support useful gain motion: bell, low shelf, high shelf, and tilt.

Detector range guides Linked or detached detector ranges show what drives the focused node, including ranges separate from the visible EQ width.

Node frequency Node frequency places the EQ shape in the full-band cascade before dynamic movement is tuned.

Static gain Static gain defines the baseline EQ curve; dynamic range then moves from that baseline.

Dynamic range Range sets the largest allowed movement, so threshold cannot make a node move beyond it.

Linked detector A linked detector follows the node width when the trigger and audible EQ region should match.

Detached edge Detached detector edges let a node listen to one range while changing another.

Aggregate curve The displayed response is the full EQ cascade, not an audible crossover layout.

Seven shapes Bell, low shelf, high shelf, tilt, notch, high-pass, and low-pass filters share the same node workflow.

Dynamic on/off Keep a node as static EQ, or enable detector-driven movement with Dynamic when the source needs it.

Stereo/M/S node focus Target stereo, left, right, mid, or side processing directly from the selected dynamic EQ node.

Detector source/listen The detector layer can use peak, RMS, loudness-style windows, stereo link, external blend, and detector listen controls.

Bell width Bell width controls the correction area and the linked detector guide when detachment is not used.

Shelf slope Shelf transition behavior affects broad tone moves and should be set before dynamic range.

Filter topology Topology changes the filter character while Shape keeps the EQ role readable.

Res control Resonance changes the emphasis around an edge or node and can make movement more obvious.

Dynamic enable The Dynamic switch separates ordinary EQ from detector-driven node movement.

Timing controls Attack, hold, release, and shapes define how quickly the selected node reaches and leaves its range.

5-band SC EQ Sidechain EQ lets a node react from a shaped detector path using fixed HP, three bell bands, LP, and one global on/off state.

Delta and graph meters Band monitoring, Delta from the title shortcut, and graph meter feedback make the dynamic EQ contribution inspectable.

Graph meter Graph meter feedback shows how strongly a dynamic node is moving while the curve remains visible.

Delta listen Delta auditions the EQ movement alone so static tone and dynamic contribution can be separated.

Band monitor Band monitoring narrows listening to the focused node region for diagnosis, then normal output remains the final reference.

SC EQ HP The detector high-pass removes low-frequency trigger energy before dynamic EQ decisions.

SC EQ bells Three detector bell bands focus, reject, or emphasize the material that drives movement.

SC EQ LP The detector low-pass removes high-frequency trigger energy when the node should ignore it.

External key External sidechain input can drive node movement from a host-provided key.

Detector listen Detector listen verifies the shaped sidechain before it controls the dynamic EQ node.

12-band reverb graph Split a source into one to twelve reverb bands and keep bandCount, crossovers, gates, and wet mix decisions in the graph.

Band Mix lane A connected mix lane, inherited from the makeup position, sets how much gated wet return blends back into the focused band.

Resonant filters Band-edge resonance controls shape how the focused reverb band enters and leaves its crossover range.

Band crossovers The graph divides the wet return into reverb bands so decay and mix decisions remain frequency-aware.

Gate open line Gate Open sets the wet-return threshold where a band becomes available.

Gate range floor Gate Range defines how far the wet return can close while the dry band remains available.

Wet mix chip The band Mix chip places wet contribution on the graph as a direct per-band decision.

Activity trace Wet activity traces show where reverb energy is being generated and held.

Band recombine Band outputs recombine after wet processing so the final result remains a full-band effect.

Gate hysteresis Hysteresis separates opening and closing behavior so wet returns do not chatter around one level.

Per-band algorithms Each focused band can use its own Room, Hall, Plate, Chamber, Spring, Bloom, Ambience, delay, or research-backed topology.

Bloom/Hold/Decay The envelope editor presents timing as Bloom, Hold, Decay, Width, and Damping for the focused reverb path.

Stereo/M/S per band Stereo and M/S operation let mid and side ambience store different algorithms, gates, timing, filters, and mix values.

Key: Self/Internal/External A wet gate can listen to its own band, another internal band, or host external sidechain split through the same crossover layout.

Algorithm menu Room, Hall, Plate, Chamber, Spring, Bloom, echo, FDN, mesh, and velvet-room algorithms are selected per band.

Clean filter The filter selector shapes how the focused wet band meets its neighbors.

Bloom width Bloom and Width describe how the wet return grows after the detector opens the band.

Damping shape Decay and Damping shape how the wet return loses energy over time.

Mid path Mid path focus lets center information receive a separate wet-band treatment in M/S operation.

Side path Side path focus lets width and ambience be adjusted independently of center material.

Gate Open/Range Gate Open, Gate Range, and Hysteresis control the wet return while the dry band remains available for mix and recombination.

Verb/Delay/Gate/Tail/Mod Verb, Delay, Gate, Tail, and Mod tabs expose density, diffusion, pre-delay, freeze, tail tone, and motion per focused band and path.

Wet activity meters FFT, Hi-Res, spectrogram, meters, Delta, and wet-return activity views keep the reverb contribution inspectable.

Wet activity Wet activity metering shows when a band is returning reverb rather than only receiving dry input.

Spectrogram Spectrogram view shows how reverb energy spreads across frequency and time.

Tail tone Tail controls tune late-field tone after the primary algorithm and gate behavior are set.

Freeze Freeze-style behavior holds wet energy for sound design and tail inspection where available.

Mod motion Mod controls add movement to the wet return after the algorithm and damping behavior are selected.

Delay feedback Delay feedback controls echo-based algorithms separately from ordinary reverb decay.

External key External keying lets the host sidechain open or close wet returns from another track.

Full-frame analyzer BeeViz uses the whole editor as an input analyzer instead of putting visualization beside processor controls.

Dry pass-through Audio is copied to the analyzer and passed to the output without compressor, EQ, reverb, gate, or gain change.

20 Hz to 20 kHz guides Log-frequency guides place low, mid, and high content on a stable audio-frequency reference.

Input spectrum The visible trace represents incoming signal content, not gain reduction, wet activity, or EQ movement.

Input-only tap The analyzer tap reads input samples while the dry stream continues through the processor.

Visualizer identity The title area identifies BeeViz as a visualizer, not a dynamics, EQ, or reverb processor.

Log grid The log-frequency grid keeps octave relationships readable across low, mid, and high ranges.

Spectral trace The trace shows incoming spectral energy without implying threshold, gain, or wet-return state.

No gain law BeeViz has no threshold, ratio, makeup, range, mix, or transfer curve to tune.

Analysis window Use a larger editor window when long spectral history or dense frequency reading matters.

Spectrogram drawer Display settings tune how the spectrogram and analyzer are drawn while the audio path remains unchanged.

Theme state The title menu stores editor theme state so the visualizer can reopen with the chosen display mode.

Reduced Motion Reduced Motion lowers visual movement for sessions where constant analyzer motion is distracting.

Display rate Visible and interactive display rates affect analyzer motion, not the audio path.

Fullscreen shortcut Command-F or Control-F can expand the analyzer where the host window allows it.

Display menu The title menu owns display options such as theme and reduced-motion behavior.

GPU drawing BeeViz prefers GPU visualizer drawing when available so the graph can remain responsive.

CPU fallback CPU drawing remains available when the GPU path is unavailable or unsuitable.

No parameter drawer The lower drawer contains display information rather than compressor, detector, or sidechain controls.

Display-only state Saved state is limited to editor display behavior; no audio processing state is stored.

FFT and Hi-Res FFT and Hi-Res display modes support different inspection jobs without changing the audio stream.

Channel layouts BeeViz supports mono, stereo, and common surround layouts when host input and output layouts match.

Display telemetry Activity and display telemetry help separate analyzer drawing behavior from audio-path behavior.

Hold display Hold freezes the visual display for inspection and does not freeze the audio stream.

Brightness Brightness changes analyzer readability without changing metering calibration or gain.

Right status rail The status rail reports analyzer activity and display state rather than input/output gain reduction.

No latency BeeViz reports no fixed processing latency because it does not delay the audio path.

No tail The product has no reverb or delay tail; visible history is analyzer history only.

No MIDI BeeViz does not consume or emit MIDI because it has no note-driven processing surface.

Surround layouts Common surround layouts are accepted when the host presents matching input and output layouts.