12-band graph Up to 12 compressor bands keep crossover lanes, threshold, ratio, makeup, bandCount, and crossover parameters in the main graph.

Filter corners Per-band filter type, resonance, and lower or upper corner shift refine the selected band's reaction edge.

Auto/Apply Auto captures source material to suggest thresholds, ratios, and band decisions, then Apply commits the editable starting layout.

Threshold/Ratio/Gain Threshold, ratio, and gain controls sit directly on the graph so the focused band can be adjusted without leaving the main view.

Crossover slopes Slope controls define how adjacent bands meet, so the graph shows the crossover decision before threshold or detector tuning begins.

Band split Split and remove operations keep the active band layout editable without leaving the frequency graph.

Focused lane The selected band lane carries the threshold, detector, ratio, and gain context for the current edit.

Detector range The detector guide can stay inside the band, widen, or move away from the audio range that receives gain change.

Makeup line Makeup is shown as a graph-attached level decision after the compression law has been placed.

Band edge handles Band edges remain visible while the focused band is tuned, keeping topology and dynamics connected.

Comp model per band Each active band stores its own VCA, FET, OPTO, Vari-Mu, Tape, Custom, or Soft Clip character instead of one global model.

Stereo/M/S per band A focused band can work in stereo, mid, or side while keeping channel decisions attached to that band and path.

Key: Self/Internal/External Bands can listen to their own range, another key, or the host sidechain as part of the focused per-band detector contract.

Classic comp Classic mode exposes VCA, FET, OPTO, Vari-Mu, Tape, Custom, and Soft Clip choices for the focused band.

Filter character The band filter character changes how the band edge behaves before resonance and corner shifts refine it.

Timing shapes Attack and release shapes describe how gain movement bends between detection and recovery.

Two-stage release Two release regions can separate the early recovery feel from the longer return to rest.

Auto release Auto-release timing adjusts recovery behavior from program motion while keeping the focused band visible.

Custom curve The custom transfer editor is used when the focused band needs a nonstandard gain law.

Path inspector The lower inspector keeps the focused path, detector, model, and timing decisions in one local editing area.

5-band SC EQ A dedicated detector EQ shapes what the compressor listens to with fixed HP, three bell bands, LP, and one global on/off state.

Hi-Res visualizer FFT and Hi-Res analyzer views sit beside crossover and band overlays so spectral behavior stays visible while decisions are made.

Delta and meter history Delta from the title shortcut and meter history in inspection views help confirm movement before returning to full output.

Input meter Input metering checks gain staging before detector and transfer choices are judged.

Output meter Output metering checks level matching after makeup, mix, and recombination.

GR history Gain-reduction history shows recent movement so timing problems are visible across phrases.

Delta listen Delta isolates the input-minus-output change before the setting is judged in normal output.

FFT bins FFT view reveals narrow spectral events while the product graph remains the editing surface.

Hi-Res mode Hi-Res visualizer mode uses a denser musical contour view for slower spectral inspection.

Detector listen Detector listen auditions what the sidechain path hears before that signal moves compression.

Separate identities The 24 fixed BeeComps products keep distinct plugin identities, stamped state, and shared family controls.

Fixed ratio/range law Ratio ranges follow the product; range and fixed-function products replace or omit Ratio.

Shared control grammar Input, mix, output, threshold, timing, makeup, ratio or range, and main/side path controls stay familiar across the family.

Threshold/Ratio/Range Custom exposes curve controls, Clip hides ratio and envelope, and Gate or Xpand expose range dynamics.

Threshold chip Threshold is drawn as the host parameter value rather than as a metering guess.

Ratio or range Ratio products show compression amount; gate and expander products show range behavior instead.

Makeup chip Makeup or mix is shown as the post-action gain decision for products that expose it.

Gain connector The gain connector ties makeup to threshold so the graph reads as one parameter surface.

Transfer truth The graph changes by product identity: compressor, clipper, gate, and expander surfaces do not pretend to be the same law.

Range floor Range products expose the maximum attenuation floor instead of ratio behavior.

Main/Side paths Single-band products still carry main and side path threshold, timing, makeup, range, and hysteresis controls.

Stereo/M/S focus Stereo mode and detector channel focus keep stereo, mid, and side workflows available without multiband crossovers.

Detector source Detector Source is part of the shared single-band parameter set and control language.

Detector mode/listen Supported products share detector mode, tap, RMS window, stereo link, external blend, sidechain noise, and listen controls.

Main path Main path parameters define the focused full-band behavior in Stereo or the Mid path in M/S operation.

Side path Side path parameters keep M/S side processing independent where the product exposes it.

Timing drawer The timing drawer exposes attack, hold, release, shapes, and scale where envelope behavior is supported.

Engine drawer Engine controls expose product-safe nonlinear, detector, oversampling, or lookahead options only where supported.

Detector drawer Detector settings decide what level is measured before the fixed product law reacts.

M/S focus Stereo, Mid, and Side focus let a single-band product address spatial problems without becoming multiband.

5-band SC EQ Supported characters shape the detector path with one global SC EQ on/off state, fixed HP, three bell bands, and LP.

Product state and Delta Each product keeps stamped state and preset identity while Delta remains available from the product title shortcut.

Input/output meters Input and output meters separate gain staging from the audible result after mix and output trim.

GR history Gain-reduction history shows recent envelope motion for ratio and range products.

Delta switch Delta mode isolates the change made by the product before normal monitoring is restored.

SC EQ HP The detector high-pass prevents low frequencies from over-driving the sidechain path.

SC EQ bells Three detector bell filters shape the trigger signal without directly equalizing the output.

SC EQ LP The detector low-pass prevents high-frequency material from dominating sidechain decisions.

ADAA state Supported nonlinear products expose ADAA state so clipping or saturation paths can be checked.

Preset namespace Each fixed product keeps its own host state and preset namespace instead of a shared model menu.

12 dynamic nodes Use up to 12 dynamic EQ node slots with per-node parameters for dense resonance, tone, and level-control work.

Full-band EQ path Nodes act in a full-band EQ cascade rather than crossover-split audio, so dynamic moves stay on the EQ curve.

Shape-aware dynamic range All seven shapes support dynamic movement; notch and pass shapes express it as signless parallel depth.

Detector range guides Linked or detached detector ranges show what drives the focused node, including ranges separate from the visible EQ width.

Node frequency Node frequency places the EQ shape in the full-band cascade before dynamic movement is tuned.

Static gain Static gain defines the baseline EQ curve; dynamic range then moves from that baseline.

Dynamic range Range sets the largest allowed movement, so threshold cannot make a node move beyond it.

Linked detector A linked detector follows the node width when the trigger and audible EQ region should match.

Detached edge Detached detector edges let a node listen to one range while changing another.

Aggregate curve The displayed response is the full EQ cascade, not an audible crossover layout.

Seven shapes Bell, low shelf, high shelf, tilt, notch, high-pass, and low-pass filters share the same node workflow.

Dynamic on/off Keep a node as static EQ, or enable detector-driven movement with Dynamic when the source needs it.

Stereo/M/S node focus Target stereo, left, right, mid, or side processing directly from the selected dynamic EQ node.

Detector source/listen The detector layer can use peak, RMS, loudness-style windows, stereo link, external blend, and detector listen controls.

Bell width Bell width controls the correction area and the linked detector guide when detachment is not used.

Shelf slope Shelf transition behavior affects broad tone moves and should be set before dynamic range.

Filter character Character changes the linear response voicing while Shape keeps the EQ role readable.

Res control Resonance changes the emphasis around an edge or node and can make movement more obvious.

Dynamic enable The Dynamic switch separates ordinary EQ from detector-driven node movement.

Timing controls Attack, hold, release, and shapes define how quickly the selected node reaches and leaves its range.

5-band SC EQ Sidechain EQ lets a node react from a shaped detector path using fixed HP, three bell bands, LP, and one global on/off state.

Delta and graph meters Band monitoring, Delta from the title shortcut, and graph meter feedback make the dynamic EQ contribution inspectable.

Graph meter Graph meter feedback shows how strongly a dynamic node is moving while the curve remains visible.

Delta listen Delta auditions the EQ movement alone so static tone and dynamic contribution can be separated.

Band monitor Band monitoring narrows listening to the focused node region for diagnosis, then normal output remains the final reference.

SC EQ HP The detector high-pass removes low-frequency trigger energy before dynamic EQ decisions.

SC EQ bells Three detector bell bands focus, reject, or emphasize the material that drives movement.

SC EQ LP The detector low-pass removes high-frequency trigger energy when the node should ignore it.

External key External sidechain input can drive node movement from a host-provided key.

Detector listen Detector listen verifies the shaped sidechain before it controls the dynamic EQ node.

12-band reverb graph Split a source into one to twelve reverb bands and keep bandCount, crossovers, wet dynamics, and Mix decisions in the graph.

Band Mix lane The dedicated Reverb/Delay top-strip Mix control blends the processed wet return back into the focused band.

Resonant filters Band-edge resonance controls shape how the focused reverb band enters and leaves its crossover range.

Band crossovers The graph divides the wet return into reverb bands so decay and mix decisions remain frequency-aware.

Dynamics threshold The graph threshold follows the selected wet-dynamics model; Gate retains source-triggered Gate Open behavior.

Ratio or range Ratio or Range follows the selected compressor, expander, gate, limiter, or creative dynamics capability.

Wet mix chip The band Mix chip places wet contribution on the graph as a direct per-band decision.

Activity trace Wet activity traces show where reverb energy is being generated and held.

Band recombine Band outputs recombine after wet processing so the final result remains a full-band effect.

Model capability Threshold, ratio/range, knee or hysteresis, envelope, and makeup expose only what the selected model supports.

Per-band algorithms Each focused band can use its own Room, Hall, Plate, Chamber, Spring, Bloom, Ambience, delay, or research-backed topology.

Broad spatial controls Bloom, Decay, Shape, Damping, Density, stage, Motion, Event Density, and Spread remain useful near neutral and can become extreme at their endpoints.

Stereo/M/S per band Stereo and M/S operation let mid and side ambience store independent spatial algorithms, dynamics models, timing, filters, and mix values.

Key: Self/Internal/External A wet gate can listen to its own band, another internal band, or host external sidechain split through the same crossover layout.

Independent type menus Reverb or Delay Type and Dynamics Type stay simultaneously visible, independent, and path-aware.

Clean filter The filter selector shapes how the focused wet band meets its neighbors.

Dynamics envelope Dynamics uses BeePressor-style model timing, while Reverb or Delay retains its separate spatial lifecycle.

Topology extremes Shape, Damping, Density, stage, Motion, Event Density, and Spread can travel from restrained to intentionally wild topology-native behavior.

Mid path Mid focus gives center information independent spatial and wet-dynamics treatment in M/S operation.

Side path Side focus gives width independent spatial and wet-dynamics treatment from center material.

Dynamics Type Gate is the default, with 21 additional BeePressor-compatible models processing only the wet return.

Verb/Delay/Dyn/Tail/Mod Verb, Delay, Dyn, Tail, and Mod expose topology controls plus the shared dynamics Engine, SC EQ, and Timing surfaces.

Wet activity meters FFT, Hi-Res, spectrogram, meters, Delta, and wet-return activity views keep the reverb contribution inspectable.

Wet activity Wet activity shows the spatial return; the separate GR meter shows wet-dynamics action.

Spectrogram Spectrogram view shows how reverb energy spreads across frequency and time.

Tail tone Tail controls tune late-field tone after the spatial algorithm and wet dynamics are set.

Freeze Freeze-style behavior holds wet energy for sound design and tail inspection where available.

Mod motion Mod controls push model-native receiver, tank, modal, mesh, spring, or tap motion from subtle to extreme.

Delay feedback Delay feedback controls echo-based algorithms separately from ordinary reverb decay.

External key External keying lets the selected wet-dynamics model detect another track without processing the dry band.

Level guides The 0, −24, −48, and −72 dB guides use the same level scale as the spectrum.

Input spectrum The filled trace follows the signal entering BeeViz. It shows input energy rather than an EQ curve or gain reduction.

Frequency guides Logarithmic frequency guides keep bass, midrange, and treble on a stable reference across the analyzer.

Controls drawer Open the analysis drawer for view modes, visual A/B states, references, reports, and frequency guides.

Overlay Manager Open the searchable overlay manager to choose analysis layers and adjust the selected layer’s intensity.

Display selector Choose Spectrum, Spectrogram, Waterfall, or Radial. The history views show how the spectrum changes over time.

Spectrum Focus Keep the full spectrum on the left and magnify the selected frequency range on the right.

FFT readout Read the current FFT size. Click to choose another size or Hi-Res analysis.

Stereo and Mid/Side views Choose stereo spectrum or Mid/Side overlay to inspect the input from different perspectives.

Visual presets Recall visual layouts for common analysis tasks from the controls drawer.

Visual A/B states Capture or recall visual states A and B, copy the current view to the other slot, and update the active slot.

Capture Reference Capture the live spectrum for comparison. Average Reference below it gathers a short average instead of one frame.

Open overlays Reach the overlay manager directly from the controls drawer.

Deep Report Export a deeper statistics report from the analysis history collected by BeeViz.

Harmonic Grid Add harmonic guides to the graph to help inspect relationships between a fundamental and its overtones.

Target Curve Overlay a reference response for visual comparison. The target curve does not apply EQ to the signal.

Reference comparisons Reference overlays report their prerequisites. Capture reference data before enabling rows marked Needs reference.

Terrain History layer Terrain History is selected in this view. Each enabled layer shows its current intensity beside its name.

Frequency Lens Focus inspection on a frequency region using the Frequency Lens analysis overlay.

Phase Scope Enable the Phase Scope panel to inspect stereo phase relationships alongside the spectrum.

Statistics overlays The right column provides baseline, variance, fingerprint, volatility, phase, and outlier views. Some layers need collected history.

Overlay intensity Adjust the intensity of the selected overlay with the bottom slider. The selected layer is named beside it.

Solo an overlay Use Solo to inspect the selected overlay on its own. Clear removes active overlay selections.

Pitch identification The large note display identifies the incoming pitch. This capture uses a steady host-generated tone near A4.

Cents deviation The cents readout shows how far the measured pitch sits above or below the selected tuning target.

Live tuner statistics Read measured and target frequency, confidence, stability, analysis timing, noise gate, and pluck information.

Pitch history Follow pitch movement over time in the history graph above the strobe and cents scale.

Pitch tracking mode Choose whether the main display follows the settled pitch or attack peak. The adjacent Input menu selects the analysis source.

Tuner sensitivity Set how the adaptive gate responds to the input noise floor. Sensitivity changes analysis behavior without changing audio output.

A4 reference Set the concert-pitch reference used for A4 and the tuner’s pitch targets.